Melentie Pandilovski<\/p>\n
<\/p>\n
Video Pool Media Arts Centre in Winnipeg is proud to present the launch of the
\nbook “Marshall McLuhan and Vil\u00e9m Flusser’s Communication and Aesthetic
\nTheories Revisited”. This scholarly book of academic analyses and
\nartists\u2019 position papers represents the proceedings of the
\ninternational conference of the same name convened by Dr. Melentie
\nPandilovski in 2012. This book includes discussions McLuhan and
\nFlusser\u2019s influence on media and communication theory as it applies to
\ncontemporary and new media art, film, philosophy and politics, and
\nthis book would be of immediate interest to readers and researchers
\ninterestested in: distributed consciousness and telematics; cinema and
\ncausality; collective evolution; media and theology; digital culture;
\nOccupy Wall Street and other political movements; cybernetics;
\ncontemporary technological art; the ideologies of clinical practice;
\nasemic writing; institutional critique and many other topics.<\/p>\n
<\/p>\n
Marshall McLuhan and Vil\u00e9m Flusser’s Communication and Aesthetic<\/strong> Contents:<\/p>\n Introductory Text by DR. MELENTIE PANDILOVSKI Artists presented in the anthology: Richard Altman, Manuel Chantre, <\/p>\n For more information about purchasing a paper or electronic version of <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Melentie Pandilovski Revisiting McLuhan’s and\u00a0Flusser\u2019s influence (…) Video Pool Media Arts Centre in Winnipeg is proud to present the launch of the book “Marshall McLuhan and Vil\u00e9m Flusser’s Communication and Aesthetic Theories Revisited”. This scholarly book of academic analyses and artists\u2019 position papers represents the proceedings of the international conference of the same name […]<\/p>\n","protected":false},"author":1,"featured_media":566,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[],"class_list":["post-565","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publikacii"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/11\/Melentie-McLuhan-Naslovna.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Umzw-97","jetpack-related-posts":[{"id":350,"url":"http:\/\/www.aica-macedonia.org.mk\/wp\/?p=350","url_meta":{"origin":565,"position":0},"title":"Yane Calovski: Obje’ct","author":"wp_admin","date":"August 4, 2015","format":false,"excerpt":"Basak Senova Obje\u2019ct presents Yane Calovski in conversation with the editor, accompanied by an extended critical article on Calovski\u2019s work by Astrid Wege and a fictional scenario by Sebastian Cichocki that aims to emphasize the unrecorded aspects of documenting art. Obje\u2019ct\u00a0 is the first book in the Zorlu Center Art\u2026","rel":"","context":"In "\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438"","block_context":{"text":"\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438","link":"http:\/\/www.aica-macedonia.org.mk\/wp\/?cat=5"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/Publikacii-Y.-Calovski-object-Thumb.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":295,"url":"http:\/\/www.aica-macedonia.org.mk\/wp\/?p=295","url_meta":{"origin":565,"position":1},"title":"\u041c\u0430\u043d\u0447\u0435\u0432\u0441\u043a\u0438","author":"wp_admin","date":"August 24, 2015","format":false,"excerpt":"\u041c\u0430\u0440\u0438\u043d\u0430 \u041a\u043e\u0441\u0442\u043e\u0432\u0430 \u041c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u043e \u0438\u0437\u0434\u0430\u043d\u0438\u0435 \u043d\u0430 Bitsia and Ars Lamina, 2015. \u041f\u0440\u0438\u0440\u0435\u0434\u0438\u043b\u0430 \u041c\u0430\u0440\u0438\u043d\u0430 \u041a\u043e\u0441\u0442\u043e\u0432\u0430. \u201c\u0420\u0430\u0437\u043d\u043e\u0432\u0438\u0434\u043d\u0438 \u0430\u0441\u043f\u0435\u043a\u0442\u0438 \u043d\u0430 \u043e\u043f\u0443\u0441\u043e\u0442 \u043d\u0430 \u041c\u0430\u043d\u0447\u0435\u0432\u0441\u043a\u0438 \u043a\u0430\u043a\u043e \u0444\u0438\u043b\u043c\u0441\u043a\u0438 \u0430\u0432\u0442\u043e\u0440, \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444, \u043a\u043e\u043d\u0446\u0435\u043f\u0442\u0443\u0430\u043b\u0435\u043d \u0443\u043c\u0435\u0442\u043d\u0438\u043a \u0438 \u043f\u0438\u0441\u0430\u0442\u0435\u043b \u0432\u043e \u043e\u0432\u0430\u0430 \u043a\u043d\u0438\u0433\u0430 \u0441\u0435 \u0438\u0441\u0442\u0440\u0430\u0436\u0435\u043d\u0438 \u043d\u0438\u0437 \u043f\u0440\u043e\u0434\u043b\u0430\u0431\u043e\u0447\u0435\u043d\u0438 \u0430\u043d\u0430\u043b\u0438\u0437\u0438 \u043d\u0430 \u043e\u0441\u0443\u043c\u043c\u0438\u043d\u0430 \u0444\u0438\u043b\u043c\u0441\u043a\u0438 \u0442\u0435\u043e\u0440\u0435\u0442\u0438\u0447\u0430\u0440\u0438, \u0444\u0438\u043b\u043e\u0437\u043e\u0444\u0438 \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0430\u0440\u0438 \u043d\u0430 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442. \u0417\u0430 \u0441\u043f\u0435\u0446\u0438\u0444\u0438\u043a\u0438\u0442\u0435 \u043d\u0430 \u0444\u0438\u043b\u043c\u0441\u043a\u0438\u043e\u0442 \u0438\u0437\u0440\u0430\u0437 \u043f\u0438\u0448\u0443\u0432\u0430\u2026","rel":"","context":"In "\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438"","block_context":{"text":"\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438","link":"http:\/\/www.aica-macedonia.org.mk\/wp\/?cat=5"},"img":{"alt_text":"AICA - Publikacii-Mancevski","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/AICA-Publikacii-Mancevski-227x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1446,"url":"http:\/\/www.aica-macedonia.org.mk\/wp\/?p=1446","url_meta":{"origin":565,"position":2},"title":"55-\u0442\u0438 \u041a\u043e\u043d\u0433\u0440\u0435\u0441 \u043d\u0430 AICA \u0432\u043e \u041a\u0440\u0430\u043a\u043e\u0432, \u041f\u043e\u043b\u0441\u043a\u0430 \u043e\u0434 13-17.11.2023","author":"wp_admin","date":"November 1, 2023","format":false,"excerpt":"CONTESTED INFRASTRUCTURES. ART CRITICISM AND THE INSTITUTIONALISATION OF ART \u00a0In the past two decades, modern cultural institutions have become contested in a twofold sense \u2013 rendered as objects of both political rivalry and far-reaching critique. On the one hand, as liberal and social-democratic ideals have been losing their hegemonic status\u2026","rel":"","context":"In "\u0438\u043d\u0444\u043e"","block_context":{"text":"\u0438\u043d\u0444\u043e","link":"http:\/\/www.aica-macedonia.org.mk\/wp\/?cat=2"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":1852,"url":"http:\/\/www.aica-macedonia.org.mk\/wp\/?p=1852","url_meta":{"origin":565,"position":3},"title":"58 \u041a\u043e\u043d\u0433\u0440\u0435\u0441 \u043d\u0430 AICA \u041e\u0442\u0432\u043e\u0440\u0435\u043d \u043f\u043e\u0432\u0438\u043a \u0437\u0430 \u0443\u0447\u0435\u0441\u0442\u0432\u043e \u043d\u0430 \u0441\u0438\u043c\u043f\u043e\u0437\u0438\u0443\u043c","author":"wp_admin","date":"January 11, 2026","format":false,"excerpt":"AICA International \u0433\u043e \u043e\u0431\u0458\u0430\u0432\u0443\u0432\u0430 \u043f\u043e\u0432\u0438\u043a\u043e\u0442 \u0437\u0430 \u043a\u0440\u0438\u0442\u0438\u0447\u043a\u0438 \u043f\u0440\u0438\u043b\u043e\u0437\u0438 \u043a\u043e\u043d \u0441\u0438\u043c\u043f\u043e\u0437\u0438\u0443\u043c\u043e\u0442 \u0432\u043e \u0440\u0430\u043c\u043a\u0438\u0442\u0435 \u043d\u0430 58-\u043e\u0442 \u041a\u043e\u043d\u0433\u0440\u0435\u0441 \u043d\u0430 \u0437\u0434\u0440\u0443\u0436\u0435\u043d\u0438\u0435\u0442\u043e: \"The 58th Congress of the International Association of Art Critics will take place in Rennes (France) from 12 to 16 October 2026. This event will include, from 13 to 15 October, an international\u2026","rel":"","context":"In "\u0438\u043d\u0444\u043e"","block_context":{"text":"\u0438\u043d\u0444\u043e","link":"http:\/\/www.aica-macedonia.org.mk\/wp\/?cat=2"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2026\/01\/58th-congress.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2026\/01\/58th-congress.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2026\/01\/58th-congress.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2026\/01\/58th-congress.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1236,"url":"http:\/\/www.aica-macedonia.org.mk\/wp\/?p=1236","url_meta":{"origin":565,"position":4},"title":"\u0421\u0440\u0435\u0434\u0431\u0430 \u0441\u043e \u043d\u043e\u0432\u0430\u0442\u0430 \u0440\u0435\u0430\u043b\u043d\u043e\u0441\u0442: \u0420\u0430\u0437\u0433\u043e\u0432\u043e\u0440 \u0441\u043e \u0411\u043e\u0440\u0438\u0441 \u0413\u0440\u043e\u0458\u0441","author":"wp_admin","date":"April 7, 2022","format":false,"excerpt":"Encountering the new reality Interview with Boris Groys by Mira Gakjina Mira Gakjina: This new issue of The Large Glass is on the topic of \u201cThe New Reality\u201d, a fashionable subject so to say for quite some time. In your writing, you often investigate the terms \u201cnew\u201d and \u201creality\u201d, particularly\u2026","rel":"","context":"In "\u0438\u043d\u0442\u0435\u0440\u0432\u0458\u0443"","block_context":{"text":"\u0438\u043d\u0442\u0435\u0440\u0432\u0458\u0443","link":"http:\/\/www.aica-macedonia.org.mk\/wp\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2022\/04\/Groys-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2022\/04\/Groys-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2022\/04\/Groys-1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":211,"url":"http:\/\/www.aica-macedonia.org.mk\/wp\/?p=211","url_meta":{"origin":565,"position":5},"title":"\u041c\u043e\u043b\u0447\u0435\u045a\u0435\u0442\u043e \u043d\u0435 \u0435 \u0437\u043b\u0430\u0442\u043e","author":"wp_admin","date":"August 18, 2015","format":false,"excerpt":"\u0417\u043b\u0430\u0442\u043a\u043e \u0422\u0435\u043e\u0434\u043e\u0441\u0438\u0435\u0432\u0441\u043a\u0438 \u201c\u0438\u043c\u0430\u043c\u0435 \u043b\u0438 \u043d\u0438\u0435 \u0432\u043e\u043e\u043f\u0448\u0442\u043e \u0417\u0434\u0440\u0443\u0436\u0435\u043d\u0438\u0435 \u0448\u0442\u043e \u0441\u0435 (\u0441\u0430\u043c\u043e)\u043d\u0430\u0440\u0435\u043a\u0443\u0432\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430 \u0441\u0435\u043a\u0446\u0438\u0458\u0430 \u0410\u0418\u041a\u0410?\u201c \u041f\u0440\u0432\u0438\u0447\u043d\u043e \u0438\u043c\u0430\u0432 \u0435\u0434\u043d\u0430 \u043f\u043e\u0438\u043d\u0430\u043a\u0432\u0430 \u0432\u0430\u0440\u0438\u0458\u0430\u043d\u0442\u0438 \u0437\u0430 \u043e\u0432\u043e\u0458 \u043c\u043e\u0458 \u0441\u043a\u0440\u043e\u043c\u0435\u043d \u043f\u0440\u0438\u043b\u043e\u0433 \u043d\u0430 \u043e\u0432\u043e\u0458 \u0438\u0441\u0442\u043e \u0442\u0430\u043a\u0430 \u0441\u043a\u0440\u043e\u043c\u0435\u043d (\u043f\u043e \u0431\u0440\u043e\u0458\u043e\u0442 \u043d\u0430 \u0443\u0447\u0435\u0441\u043d\u0438\u0446\u0438\u0442\u0435, \u043d\u0435 \u043f\u043e \u0438\u0434\u0435\u0458\u0430\u0442\u0430!) \u0421\u0438\u043c\u043f\u043e\u0437\u0438\u0443\u043c. \u0418 \u0442\u0430\u0430 \u0432\u0430\u0440\u0438\u0458\u0430\u043d\u0442\u0430 \u0431\u0435\u0448\u0435 \u0441\u043e\u0441\u0435\u043c\u0430 \u0432\u043e \u0434\u0443\u0445\u043e\u0442 \u043d\u0430 \u0433\u0435\u043d\u0435\u0440\u0430\u043b\u043d\u0430\u0442\u0430 \u201e\u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430\u201c \u0438 \u043e\u0434\u043d\u0435\u0441\u0443\u0432\u0430\u045a\u0435\u0442\u043e \u043d\u0430 \u043d\u0430\u0448\u0430\u0442\u0430\u2026","rel":"","context":"In "\u0435\u0441\u0435\u0438"","block_context":{"text":"\u0435\u0441\u0435\u0438","link":"http:\/\/www.aica-macedonia.org.mk\/wp\/?cat=7"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/AICA-Simpozium-2014-Teodosievski.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=565"}],"version-history":[{"count":11,"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/565\/revisions"}],"predecessor-version":[{"id":1046,"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/565\/revisions\/1046"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/media\/566"}],"wp:attachment":[{"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=565"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTheories Revisited<\/strong> is edited by Dr. Melentie Pandilovski and Tom Kohut<\/p>\n
\nDR. BARBARA RAUCH: Antenna Methods
\nCLINT ENNS: Charting the Montage: The Roots of Algorithmic Cinema
\nDR. DAN MELLAMPHY: Between Beckett and Bec: The M\u00e8tic Hexis and
\nFlusserian Flux of Vampyroteuthis Abductionis
\nDAVID E. CARRILLO FUCHS and MARCO ANTONIO CALDER\u00d3N ZACAULA: A
\nFlusserian Approach to the Compound Visual Interface: the Limits of
\nthe Technical Image
\nDr. MELENTIE PANDILOVSKI: The Shifting Platform of Media
\nMONIKA VRE\u010cAR: Art in the New Media Environment: Change versus Novelty
\nDR. PAUL LEVINSON: Occupy Wall Street in the Global Village
\nDR. PETER SCHWENGER: Asemic Writing: Backwards Into the Future
\nPROF. PHILIP POCOCK: Vil\u00e9m Flusser and Marshall McLuhan \u2013 Matrix and
\nWave: Toward a Quantum Theory of Media
\nDR. POLONA TRATNIK: Observing \u2013 Knowing \u2013 Mediating: The Body as World
\nto Explore
\nDR. RICHARD CAVELL, Mechanical Brides and Vampire Squids
\nROY ASCOTT: Flusser\u2019s Dread and McLuhan\u2019s Dream
\nSCOTT BILLINGS: Giacometti\u2019s Foot: Automobility and Cinematic Causality
\nDR. SIMONE MAHRENHOLZ \u201cWe Do Not Make Gestures, We are Gesticulations
\nof the Environment\u201d \u2013 Flusser\u2019s Aesthetico-Logical Critique of
\nContemporary Epistemology
\nDR. STEPHEN CROCKER: Sense and Common Sense in McLuhan
\nTOM KOHUT: Electronic.Technical.Digital: The Ontology of the Digital Image<\/p>\n
\nLei Cox, Andrew Milne, Doug Smith.
\nScreenings: McLuhan’s Wake (2003) and Vil\u00e9m Flusser: “We Shall Survive
\nin the Memories of Others” (2010), Video Pool Meets McLuhan and
\nFlusser (Clint Enns, Erika MacPherson, Freya Bj\u00f6rg Olafson, Heidi
\nPhillips, Sandee Moore, Michael Stecky, Aaron Zeghers, Collin Zipp)<\/p>\n
\nthis book, please contact vpprogramming@videopool.org.<\/p>\n