{"id":218,"date":"2015-08-22T13:36:21","date_gmt":"2015-08-22T11:36:21","guid":{"rendered":"http:\/\/www.aica-macedonia.org.mk\/wp\/?p=218"},"modified":"2015-09-11T16:15:25","modified_gmt":"2015-09-11T14:15:25","slug":"aica-%d0%ba%d0%be%d0%bd%d0%b3%d1%80%d0%b5%d1%81-2015","status":"publish","type":"post","link":"https:\/\/www.aica-macedonia.org.mk\/wp\/?p=218","title":{"rendered":"\u041a\u043e\u043d\u0433\u0440\u0435\u0441, \u041b\u043e\u043d\u0434\u043e\u043d 2015"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h6><strong>Symposium in partnership with Culture+Conflict, Royal College of Art, London \u00a0 26, 27 October 2015<\/strong><\/h6>\n<h6>Who Cares?<\/h6>\n<p>Cultural Intelligence: Value, Veneration and Criticality<\/p>\n<p>What are the ethical tensions for the contemporary artist and critic when art becomes a global currency at a time of extreme inequality and instability?<\/p>\n<p>Contemporary art has never been more visible or venerated. The idea of the contemporary art work as crypto-relic was recently argued in \u2018Traces of the Holy\u2019 by Matthew Bown in the Times Literary Supplement April10 2015. It was also a focus of the exhibition \u201cObjects of Devotion and Desire \u2013 Medieval Relics to Contemporary Art\u201d at the Hunter College USA 2011. The extreme veneration of art in a hyper inflated market has created a self referential world where human and financial resources are spent in what Bown describes as \u2018the general awestruck acquiescence in the business of art\u2019. In 2014 the state of Qatar staged Damien Hirst\u2019s retrospective, titled with ironizing pathos Relics. Meanwhile, the Art Newspaper diligently reports monthly on the cultural cleansing of Syria, Iraq, Mali and Libya which runs unchecked; \u201cAll eyes on Palmyra \u201c\u2026. number 269 June 2015.<\/p>\n<p>The artist Hito Steyerl takes a clear eyed view: Duty-Free Art e.flux 03\/15<\/p>\n<p>\u201cTo brutally summarize a lot of scholarly texts: contemporary art is made possible by neoliberal capital plus the internet, biennials, art fairs, parallel pop-up histories, growing income inequality. Let\u2019s add asymmetric warfare\u2014as one of the reasons for the vast redistribution of wealth\u2014real estate speculation, tax evasion, money laundering, and deregulated financial markets to this list.<\/p>\n<p>To paraphrase philosopher Peter Osborne\u2019s illuminating insights on this topic: contemporary art shows us the lack of a (global) time and space. Moreover, it projects a fictional unity onto a variety of different ideas of time and space, thus providing a common surface where there is none.12<\/p>\n<p>Contemporary art thus becomes a proxy for the global commons, for the lack of any common ground, temporality, or space.<\/p>\n<p>It is defined by a proliferation of locations, and a lack of accountability.\u201d<\/p>\n<p>Accountable for what and to whom? How does the contemporary artist and critic respond to these realities? Can critical integrity be reclaimed and what is the potential for critics to contribute to a wider cultural intelligence?<\/p>\n<p><a href=\"http:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/XLVIII_AICA_Congress2015.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"225\" data-permalink=\"https:\/\/www.aica-macedonia.org.mk\/wp\/?attachment_id=225\" data-orig-file=\"https:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/XLVIII_AICA_Congress2015.png\" data-orig-size=\"567,426\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"XLVIII_AICA_Congress2015\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/XLVIII_AICA_Congress2015-300x225.png\" data-large-file=\"https:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/XLVIII_AICA_Congress2015.png\" class=\"aligncenter wp-image-225 size-full\" src=\"http:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/XLVIII_AICA_Congress2015.png\" alt=\"XLVIII_AICA_Congress2015\" width=\"567\" height=\"426\" srcset=\"https:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/XLVIII_AICA_Congress2015.png 567w, https:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/XLVIII_AICA_Congress2015-300x225.png 300w\" sizes=\"(max-width: 567px) 100vw, 567px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u0417\u0430 \u043f\u043e\u0432\u0435\u045c\u0435 \u0434\u0435\u0442\u0430\u043b\u0438 \u0432\u0438\u0434\u0438 \u043d\u0430: <a href=\"http:\/\/aicainternational.org\/en\/congress-schedule\/\" target=\"_blank\">http:\/\/aicainternational.org\/en\/congress-schedule\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Symposium in partnership with Culture+Conflict, Royal College of Art, London \u00a0 26, 27 October 2015 Who Cares? Cultural Intelligence: Value, Veneration and Criticality What are the ethical tensions for the contemporary artist and critic when art becomes a global currency at a time of extreme inequality and instability? Contemporary art has never been more [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":357,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[29],"class_list":["post-218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-info","tag-aica"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/fake-AICA-logoThumb.png","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Umzw-3w","jetpack-related-posts":[{"id":1852,"url":"https:\/\/www.aica-macedonia.org.mk\/wp\/?p=1852","url_meta":{"origin":218,"position":0},"title":"58 \u041a\u043e\u043d\u0433\u0440\u0435\u0441 \u043d\u0430 AICA \u041e\u0442\u0432\u043e\u0440\u0435\u043d \u043f\u043e\u0432\u0438\u043a \u0437\u0430 \u0443\u0447\u0435\u0441\u0442\u0432\u043e \u043d\u0430 \u0441\u0438\u043c\u043f\u043e\u0437\u0438\u0443\u043c","author":"wp_admin","date":"January 11, 2026","format":false,"excerpt":"AICA International \u0433\u043e \u043e\u0431\u0458\u0430\u0432\u0443\u0432\u0430 \u043f\u043e\u0432\u0438\u043a\u043e\u0442 \u0437\u0430 \u043a\u0440\u0438\u0442\u0438\u0447\u043a\u0438 \u043f\u0440\u0438\u043b\u043e\u0437\u0438 \u043a\u043e\u043d \u0441\u0438\u043c\u043f\u043e\u0437\u0438\u0443\u043c\u043e\u0442 \u0432\u043e \u0440\u0430\u043c\u043a\u0438\u0442\u0435 \u043d\u0430 58-\u043e\u0442 \u041a\u043e\u043d\u0433\u0440\u0435\u0441 \u043d\u0430 \u0437\u0434\u0440\u0443\u0436\u0435\u043d\u0438\u0435\u0442\u043e: \"The 58th Congress of the International Association of Art Critics will take place in Rennes (France) from 12 to 16 October 2026. This event will include, from 13 to 15 October, an international\u2026","rel":"","context":"In &quot;\u0438\u043d\u0444\u043e&quot;","block_context":{"text":"\u0438\u043d\u0444\u043e","link":"https:\/\/www.aica-macedonia.org.mk\/wp\/?cat=2"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2026\/01\/58th-congress.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2026\/01\/58th-congress.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2026\/01\/58th-congress.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2026\/01\/58th-congress.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":565,"url":"https:\/\/www.aica-macedonia.org.mk\/wp\/?p=565","url_meta":{"origin":218,"position":1},"title":"Marshall McLuhan and Vil\u00e9m Flusser","author":"wp_admin","date":"November 10, 2015","format":false,"excerpt":"Melentie Pandilovski Revisiting McLuhan's and\u00a0Flusser\u2019s influence (...) \u00a0 Video Pool Media Arts Centre in Winnipeg is proud to present the launch of the book \"Marshall McLuhan and Vil\u00e9m Flusser's Communication and Aesthetic Theories Revisited\". This scholarly book of academic analyses and artists\u2019 position papers represents the proceedings of the international\u2026","rel":"","context":"In &quot;\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438&quot;","block_context":{"text":"\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438","link":"https:\/\/www.aica-macedonia.org.mk\/wp\/?cat=5"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/11\/Melentie-McLuhan-Naslovna.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1253,"url":"https:\/\/www.aica-macedonia.org.mk\/wp\/?p=1253","url_meta":{"origin":218,"position":2},"title":"Spectres of Beuyes","author":"wp_admin","date":"April 20, 2022","format":false,"excerpt":"Berlin-based Australian Catherine Nichols appointed Creative Mediator for the 14th edition of Manifesta taking place in Pristina, Kosovo in 2022. She is currently the artistic director of beuys 2021, a year-long centenary programme in the state of North Rhine \u2013 Westphalia dedicated to the artist Joseph Beuys. MoCA Skopje is\u2026","rel":"","context":"In &quot;\u0438\u043d\u0442\u0435\u0440\u0432\u0458\u0443&quot;","block_context":{"text":"\u0438\u043d\u0442\u0435\u0440\u0432\u0458\u0443","link":"https:\/\/www.aica-macedonia.org.mk\/wp\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2022\/04\/Catherine-Nichols.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2022\/04\/Catherine-Nichols.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2022\/04\/Catherine-Nichols.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2022\/04\/Catherine-Nichols.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":350,"url":"https:\/\/www.aica-macedonia.org.mk\/wp\/?p=350","url_meta":{"origin":218,"position":3},"title":"Yane Calovski: Obje&#8217;ct","author":"wp_admin","date":"August 4, 2015","format":false,"excerpt":"Basak Senova Obje\u2019ct presents Yane Calovski in conversation with the editor, accompanied by an extended critical article on Calovski\u2019s work by Astrid Wege and a fictional scenario by Sebastian Cichocki that aims to emphasize the unrecorded aspects of documenting art. Obje\u2019ct\u00a0 is the first book in the Zorlu Center Art\u2026","rel":"","context":"In &quot;\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438&quot;","block_context":{"text":"\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438","link":"https:\/\/www.aica-macedonia.org.mk\/wp\/?cat=5"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2015\/08\/Publikacii-Y.-Calovski-object-Thumb.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1446,"url":"https:\/\/www.aica-macedonia.org.mk\/wp\/?p=1446","url_meta":{"origin":218,"position":4},"title":"55-\u0442\u0438 \u041a\u043e\u043d\u0433\u0440\u0435\u0441 \u043d\u0430 AICA \u0432\u043e \u041a\u0440\u0430\u043a\u043e\u0432, \u041f\u043e\u043b\u0441\u043a\u0430 \u043e\u0434 13-17.11.2023","author":"wp_admin","date":"November 1, 2023","format":false,"excerpt":"CONTESTED INFRASTRUCTURES. ART CRITICISM AND THE INSTITUTIONALISATION OF ART \u00a0In the past two decades, modern cultural institutions have become contested in a twofold sense \u2013 rendered as objects of both political rivalry and far-reaching critique. On the one hand, as liberal and social-democratic ideals have been losing their hegemonic status\u2026","rel":"","context":"In &quot;\u0438\u043d\u0444\u043e&quot;","block_context":{"text":"\u0438\u043d\u0444\u043e","link":"https:\/\/www.aica-macedonia.org.mk\/wp\/?cat=2"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2023\/11\/CongressBanner.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1777,"url":"https:\/\/www.aica-macedonia.org.mk\/wp\/?p=1777","url_meta":{"origin":218,"position":5},"title":"The Large Glass 35-36","author":"wp_admin","date":"November 25, 2025","format":false,"excerpt":"\u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u043e\u0442 \u0431\u0440\u043e\u0458 \u043d\u0430 \u0441\u043f\u0438\u0441\u0430\u043d\u0438\u0435\u0442\u043e The Large Glass (\u0413\u043e\u043b\u0435\u043c\u043e\u0442\u043e \u0441\u0442\u0430\u043a\u043b\u043e) \u0431\u0440. 35-36\/2023, \u0432\u043e \u0438\u0437\u0434\u0430\u043d\u0438\u0435 \u043d\u0430 \u041c\u0443\u0437\u0435\u0458\u043e\u0442 \u043d\u0430 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u0430\u0442\u0430 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442 \u0421\u043a\u043e\u043f\u0458\u0435 \u0433\u0438 \u0434\u043e\u043d\u0435\u0441\u0443\u0432\u0430 \u0441\u043b\u0435\u0434\u043d\u0438\u0442\u0435 \u0441\u043e\u0434\u0440\u0436\u0438\u043d\u0438: CONTENT:6Katarzyna Murawska-Muthesius:The Critical Museum Postscriptum12Pedro Jose Lorente:Self-reflective Museums and (meta)MuseographicalReappraisals: The Special Case ofMuseums of Contemporary Art20Bojana Pi\u0161kur:Some thoughts on decolonizing the art institutions26Marija \u0110orgovi\u0107:From a Critique\u2026","rel":"","context":"In &quot;\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438&quot;","block_context":{"text":"\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438","link":"https:\/\/www.aica-macedonia.org.mk\/wp\/?cat=5"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2025\/11\/The-Large-Glass-2023-e1764077967525.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2025\/11\/The-Large-Glass-2023-e1764077967525.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2025\/11\/The-Large-Glass-2023-e1764077967525.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.aica-macedonia.org.mk\/wp\/wp-content\/uploads\/2025\/11\/The-Large-Glass-2023-e1764077967525.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=218"}],"version-history":[{"count":15,"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/218\/revisions"}],"predecessor-version":[{"id":503,"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/218\/revisions\/503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=\/wp\/v2\/media\/357"}],"wp:attachment":[{"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aica-macedonia.org.mk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}